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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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Sridhar Rangayan in Stockholm and Copenhagen

Sridhar Rangayan’s Evening Shadows and 68 Pages to screen at Beyond Bollywood Film Festival, reports The Daily Eye Newsdesk Read More

That Daisy Fiasco

Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed...

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DARE TO DREAM

Khalid Mohamed interviews Shriya Pilgaonkar, the multi-faceted actor who has knocked out bravura performances in films, theatr...

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